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Read Hidden Tides free: the opening chapter

A free sample of Hidden Tides: Salt and Stone, a Coastal Romantic Suspense Novel. About 13 minutes of reading.

Arrival: The Fog Descends

The scent of turpentine and linseed oil hung heavy in the studio, a sharp, chemical contrast to the damp, salt-laden air pressing against the glass. Outside, Port Blossom was vanishing. The fog had rolled in just after dusk, a thick, grey blanket that erased the rocky shoreline and swallowed the lighthouse beam until only a dull, pulsing glow remained.

Ava Thorne stood before the canvas, her brush poised in mid-air. Her hand trembled, just a fraction. She stared at the landscape taking shape before her. It was not the serene, postcard view the locals boasted about in the town brochures. This was something else entirely. She had painted the jagged teeth of the cliffs, the churning, angry water, and the way the light seemed to die before it hit the rocks. It felt raw. It felt like a warning.

She stepped back, wiping her hands on a rag stained with ochre and deep indigo. The silence in the house was profound. It was an old house, a Victorian relic perched precariously on a cliff edge, and it had a way of settling at night. The wood groaned under the temperature drop. The wind whistled through gaps in the window frames. Ava usually found comfort in these sounds, but tonight, they felt intrusive.

She glanced at the grandfather clock in the corner. Midnight. She should have been asleep hours ago, but the painting demanded completion. The composition felt wrong, missing a focal point. She moved to the window, peering into the gloom. The fog was so dense she could barely see the porch light.

A sound drifted up from the lower floor.

It was not the house settling. It was the distinct, rhythmic scrape of wood against stone. Her front door.

Ava froze. She lived alone. She had moved to Port Blossom to escape, to be alone, to find a quiet corner of the world where her past could not follow. Her isolation was her armor. She did not entertain guests at this hour.

She set her brush down on the table. The clatter seemed deafening in the quiet room. She took a breath, trying to slow the sudden, frantic thrumming in her chest. Perhaps it was a branch. The storm was picking up, and the ancient oaks around the property were shedding limbs like leaves.

She walked to the studio door, her heart hammering against her ribs. She moved with a practiced stillness, a habit formed long before she arrived in Maine. She reached the hallway and listened.

Silence returned, heavier than before.

She took a step down the stairs, the wood planks cold beneath her bare feet. The house felt different tonight. The shadows in the hallway seemed to stretch, reaching for her. She reached the landing and peered into the living room. Everything was as she had left it. The fire had burned down to embers, casting a faint, dying orange glow across the room.

She let out a breath she had not realized she was holding. She was spiraling. She was reacting to ghosts, to memories she had spent years trying to bury. There was no one here.

She turned to go back upstairs, her resolve hardening. She was letting her fear dictate her life again, and she would not allow it. She reached for the banister, her fingers curling around the polished wood.

A soft click echoed through the living room. It was the sound of a latch sliding into place.

The front door. It had been locked. She knew she had locked it.

Ava spun around. The living room was empty, yet the air shifted. The temperature plummeted. A draft flowed through the space, carrying the smell of brine and something else. Metallic. Sharp.

Who is there? She asked, her voice barely a whisper. She hated how small it sounded.

No answer came. Only the low moan of the wind outside.

She backed away, toward the kitchen. She needed a weapon. A knife. Anything. She reached the threshold of the kitchen, her eyes scanning the shadows. The moonlight, filtering through the fog, created strange shapes on the floor, shifting and dancing.

She saw the figure then.

It was standing in the doorway of the living room, a silhouette carved from the darkness. It was tall, motionless. It did not speak. It simply watched her.

Panic, cold and absolute, washed over her. She knew this shape. She knew the way it held itself, the stillness that was not peaceful but predatory. The recognition slammed into her, hard and fast, stealing the air from her lungs.

You, she breathed.

The figure stepped forward, the floorboards groaning in protest.

I told you, the voice was a low rasp, barely audible over the rising storm. You cannot run forever, Ava.

Ava bolted. She did not think. She did not plan. She scrambled toward the back door, toward the service stairs that led up to the attic. She had to get to the studio. She had to get to the phone. She had to get out.

She heard the footsteps behind her, heavy and deliberate. They were not running. They did not need to run. They knew the house. They knew the layout.

She reached the stairs and took them two at a time, her breath coming in ragged gasps. She slammed the studio door shut and threw the deadbolt. It was a flimsy lock, meant to keep out drafts, not people. She backed away, her eyes darting around the room.

The easel sat in the center of the room, the painting still unfinished. The canvas stared back at her, a mute witness to her terror.

She scrambled to the window, throwing it open. The wind roared into the room, tossing her hair and scattering her sketches across the floor. She looked down. It was a long drop to the rocky cove below. The tide was coming in, crashing against the stones with a rhythmic, violent force.

There was no way down.

The handle of the door rattled. Then, a heavy thud.

Ava grabbed a heavy palette knife from the table, her knuckles white. She stood by the window, the sea air stinging her eyes. She was a Thorne. She was a survivor. She would not let this end here.

The door shuddered under a powerful blow. The wood splintered.

She watched the door, waiting. She did not pray. She simply prepared to fight.

The door gave way with a crash, the wood shearing off the hinges. The figure stepped into the studio, blocking the light from the hallway.

You should have stayed hidden, the voice said, colder than the wind outside.

Ava did not answer. She lunged.


The fog did not lift the next morning. It clung to the coastline like a shroud, grey and impenetrable. The lighthouse beam swept through the gloom, a rhythmic warning to ships that could not see the rocks, but it provided no comfort to the residents of Port Blossom.

Detective Cole Harding stood on the porch of the Thorne house, his coat collar turned up against the biting chill. He had been a cop for fifteen years, and he had seen enough to know when a scene was wrong. He had investigated accidents, robberies, and the occasional domestic dispute, but this felt different. This felt like a void.

The front door was hanging off its hinges, splintered and ruined. He stepped inside, his boots clicking on the hardwood floor. The house was cold, the fire long dead. He moved through the living room, his flashlight cutting through the dimness. Everything was undisturbed. A book lay open on the side table. A cup of cold tea sat on the mantle. There was no sign of a struggle here.

He moved to the stairs, his instincts humming with a low, persistent dread. He climbed to the second floor, his hand resting on the holster at his hip. He reached the studio door.

The door was ruined, the wood shattered inward.

He pushed the door open, his light scanning the room.

It was a chaotic mess of papers, sketches, and oil paints. The window was wide open, the curtains whipping violently in the gale force wind that had picked up overnight. He walked to the window and looked down at the rocks below. Nothing. Just the churning Atlantic, hungry and relentless.

He turned back to the center of the room.

The easel stood alone.

It was empty. The canvas had been slashed, a jagged, violent tear down the center. Whatever Ava Thorne had been painting, whatever truth she had been trying to capture, was gone.

Cole walked to the easel, his heart heavy. He looked down at the floor near the palette. A small, silver charm lay in the dust, glinting in the beam of his light. He knelt and picked it up. It was a locket, rusted and worn. He pried it open with his thumbnail.

Inside was a picture of a young woman, smiling, her eyes bright with a life that had clearly been extinguished.

He closed his hand around the locket, his jaw tight. The silence of the house pressed in on him, filled with secrets that were now buried under the weight of the sea and the fog.

He stepped to the doorway, looking back at the empty easel one last time. The room felt like a tomb. It was a crime scene, yes. But it was also a warning.

He walked out of the house and into the fog, knowing that the real investigation was only just beginning. He just did not know that the woman who would walk into his life to help him solve it was already on her way, running from her own ghosts, unaware that she was heading straight into the heart of the storm.

He started his cruiser, the engine turning over with a reluctant cough. He pulled away from the cliffside, the house fading into the grey wall of mist behind him. He did not look back. He did not need to. The image of that empty easel, that slashed canvas, was burned into his mind.

Port Blossom had a way of keeping its secrets. But today, the town would learn that some secrets refused to stay buried. They would rise, like the tide, and they would drag everything down with them.

He clicked his radio on, his voice steady despite the turmoil inside him. Dispatch, this is Harding. I am at the Thorne residence. The house is empty. I am declaring this a crime scene. Send the forensics team. And tell the Chief. Tell him we have a disappearance.

He signed off, staring into the impenetrable fog. He could feel the eyes of the town on him, watching, waiting. The game had begun. And God help them all, he thought, because the storm was only just getting started.

The rain began to fall in earnest, a cold, driving curtain that erased the world beyond the reach of his headlights. Cole kept his hands tight on the steering wheel, his knuckles white. The locket weighed heavy in his pocket, a cold reminder of a life interrupted. He knew that weight well. It felt like the same burden he had been carrying for years, the one that had chased him from the city and back to the suffocating familiarity of his hometown.

He drove past the sleepy storefronts of Main Street. The bakery was dark. The bookstore had its shutters pulled tight. Port Blossom was a town that went to sleep early, but it was a place that dreamed in nightmares. He turned onto the road that led to his small, drafty cottage on the edge of the cliffs. He needed to think. He needed to process the image of that slashed canvas, the violence of it. Ava Thorne was not just a painter. She was a recluse, a woman who lived for her art. To destroy her work was to destroy her, and whoever had done it had known exactly where to strike.

Cole pulled into his gravel driveway and sat for a moment, listening to the rain drum against the roof of his cruiser. He pulled the locket from his pocket and set it on the passenger seat. He studied the face of the girl inside again. She looked vaguely familiar, but that was the problem with old secrets. They lingered in the periphery of your vision, teasing you until you finally turned to face them. He pushed the thought aside. He was a detective. He dealt in facts, not feelings, even if his gut was screaming that this investigation was going to unravel everything he had built to keep himself safe.

While Cole wrestled with the darkness of the Thorne case, hundreds of miles to the south, a woman named Maya Vance was navigating the treacherous curves of the coastal highway. Her car, a battered sedan that groaned under the strain of the climb, hit a pothole with a bone-jarring thud. She cursed, gripping the wheel until her shoulders ached. She was tired. She had been driving for two days, fueled by stale coffee and a terror that had lodged itself in her chest like a stone.

She looked at the GPS. Port Blossom. Another ten miles.

She reached over to the passenger seat and touched the worn leather portfolio she had kept tucked under her arm since she left Chicago. Inside were sketches, drawings that held the secret to her sudden departure. They were not her work. They were Ava's. Or at least, they were the copies Ava had sent her months ago, cryptic messages hidden in charcoal and ink that Maya had only just begun to understand.

Maya did not know Ava well. They had met at a gallery opening in the city years ago, a brief encounter that had turned into a steady correspondence. Ava had been the mentor she never asked for, the voice of reason when Maya was drowning in the pretension of the art world. But lately, Ava's letters had changed. They had grown frantic. She had written about a shadow that followed her, about a man with eyes like glass, and about a painting that held the key to a buried history.

Maya had dismissed it as the eccentricities of a genius until the letters stopped. Then, the phone call had come. A frantic, muffled message on her voicemail that sounded like a plea for help. And then, silence.

She crested the hill, and the ocean came into view. It was a churning, grey expanse that mirrored the turmoil in her mind. She shivered, though the car heater was blasting. She was running from a life that had become a trap, running from a man who wanted to control her, but she was driving straight into something else. She could feel it. The air here was heavy with salt and something sharper, something like ozone before a lightning strike.

She did not know who she would find in Port Blossom, but she knew who she was running from, and that was enough to keep her foot pressed firmly on the gas. The town appeared in the valley below like a jagged scar against the coastline. She did not know what awaited her, but she knew she could not turn back. The road behind her was a dead end. The road ahead, however uncertain, was her only chance at survival.

She gripped the steering wheel, her knuckles turning white. She pulled into the main thoroughfare, the headlights of her sedan cutting through the thick, unnatural fog. She had come to find Ava, to see if the woman who had guided her through her own artistic evolution was still alive. She did not know that she was driving into a crime scene, nor did she know that the man who would be tasked with investigating the disappearance was currently sitting in his cruiser, staring at the same locket she had seen in a photograph months ago.

Maya slowed the car as she passed the local police station. She saw a cruiser pulling out, its lights flashing. She felt a jolt of alarm, a sudden, sharp intuition that told her she was too late. She watched the cruiser disappear into the mist, heading toward the cliffside where the Thorne house stood. She hesitated for a moment, her foot hovering over the brake. She could turn around. She could disappear back into the anonymity of the highway. But the image of Ava, desperate and pleading in that final, muffled voicemail, held her in place. She turned the wheel and followed the cruiser, her heart beating a frantic rhythm against her ribs. She was not a detective. She was not a fighter. But she was a woman who had been pushed too far, and she was done running.

The road wound upward, clinging to the edge of the cliff. The wind whipped at her car, threatening to push it off the narrow path. She kept her eyes fixed on the taillights ahead, a steady red beacon in the grey void. She was terrified, but she was also resolute. She had spent a lifetime trying to please others, to fit into the boxes they created for her. Now, for the first time, she was doing something for herself. She was seeking the truth, no matter how dangerous it might be.

She reached the top of the cliff and saw the Thorne house. It was a dark, brooding structure, silhouetted against the churning Atlantic. The front door was hanging off its hinges, a gaping wound in the side of the house. She pulled her car to a stop and sat for a moment, her breath hitching in her throat. She had found it. She had found the place where the ghosts lived. And as she stepped out of the car, the cold, salt-laden air hitting her face, she knew that her life was about to change forever. She walked toward the house, her boots crunching on the gravel, and for the first time in her life, she felt a strange, terrifying sense of clarity. She was ready.

The sample ends here.